{"id":24204,"date":"2023-10-03T08:29:17","date_gmt":"2023-10-03T16:29:17","guid":{"rendered":"https:\/\/soundtrk.com\/?post_type=client&p=24204"},"modified":"2023-10-04T15:47:48","modified_gmt":"2023-10-04T23:47:48","slug":"eric-neveux","status":"publish","type":"client","link":"https:\/\/soundtrk.com\/?client=eric-neveux","title":{"rendered":"Eric Neveux"},"content":{"rendered":"\n
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Eric Neveux <\/strong>was 25 when he met director Fran\u00e7ois Ozon (Swimming Pool, 8 Women<\/em><\/strong>) and composed the score for his first long-form film, See the Sea<\/em><\/strong>. Ozon then asked him to score his first feature film, Sitcom. Shortly thereafter, Neveux began a long-term collaboration with Patrice Ch\u00e9reau, scoring his film Those Who Love Me Can Take the Train <\/em><\/strong>(Cannes Film Festival Official Selection, 1997), followed by Intimacy<\/em><\/strong> (Berlin Film Festival Golden Bear award-winner, 2001), and Persecution<\/em><\/strong>, (Venice Film Festival, 2009).<\/p>\n\n\n\n

Eric Neveux has composed original music for 60 feature films, as well as a variety of scores for TV movies and series. Recent score highlights include two installments of director Rachid Bouchareb\u2019s American Trilogy; Just Like a Woman<\/em><\/strong> (starring Sienna Miller and Golshifteh Farahani), and Two Men in Town<\/em><\/strong> (2014), with Forest Whitaker and Harvey Keitel; and later, Bouchareb\u2019s film Road to Istanbul<\/em><\/strong> in 2016 (the last two being official selections of the Berlin Film Festival). Eric\u2019s passion for independent film is further illustrated by his work on titles such as La Vie Domestique<\/em><\/strong> by Isabelle Czajka, Standing Tall (La T\u00eate Haute) by Emmanuelle Bercot, the Cannes Film Festival\u2019s opening film in 2015, The Attack <\/em><\/strong>(2013), and The Insult<\/em><\/strong> (2017), by Ziad Doueiri which was nominated for Best Foreign Language Film at the 90th Academy Awards.<\/p>\n\n\n\n

Under the moniker Mr. Neveux, Eric made important contributions to the 90s Downtempo music scene, most notably with the release of his album, TUBA<\/em><\/strong> (Cup of Tea Records). Later he co-founded Microbe Records, a respected home for indie artists in France and the United Kingdom.<\/p>\n\n\n\n

Eric and his family divide their time between Los Angeles and Paris.<\/p>\n\n\n\n

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